This painting is called “The Coronation of the Virgin” created by Annibale Carracci. This painting was dated after 1595 and can be found in gallery 623. According to some of the information from the label, Annibale Carracci, together with Caravaggio, was the most influential painter of the seventeenth century and the main figure in the development of classicism. This picture was painted for Cardinal Pietro Aldobrandini (1571–1621), shortly after Annibale’s arrival in Rome in 1595. In it, Annibale brought together two currents of Italian painting: a north Italian sensitivity to the effects of natural light and color, and the spatial organization and idealized figures associated with the Renaissance. Raphael’s frescoes in the Vatican inspired the composition, while the figure of God the Father was based on an ancient Roman sculpture. I saw this painting while visiting the Metropolitan Museum.
I saw many amazing paintings at the MET and this one stood out to me because it is a Baroque painting and also because it looks very complex and it took a lot of effort to make the painting look three dimensional. The story said that after Annibale got to Rome, she used the effects of light and color and idealized figures in her painting. The figure of god in this painting was based off of Roman sculpture. Especially because it is an oil on canvas painting. When I looked up the story behind this painting, it reminded me of something we read and discussion about in Classics class. Along with the discussion of God and Roman Sculptures.
-Adam Allan
Team Ares